You are watching: Ego trippin at the gates of hell
I was somewhat looking front to panning this disc, expecting the worst as it came warm on the heels that the awful, novelty-loaded Fight Test EP. However while Ego Tripping doesn"t correct all of Fight Test"s misgivings (would someone please convince these males to incorporate the damn Yoshimi outtakes already?), that does contain four inspired brand-new originals. Among these, "Assassination the the Sun", opens up the album v the Lips sound the loosest lock have because The Soft Bulletin. Together Wayne Coyne"s earnest tenor sings of numerous stars developing into a sun and machines the churn out pain, a breezy rolling drum break cd driver the track forward together floating piano chords and also wiry bucolic guitar lines.
The track proves not to be a fluke: the two originals the follow it, the interestingly titled crucial "I"m a paris in a Sunbeam (Following the Funeral Procession of a Stranger)" and also the interstellar sex romp "Sunship Balloons" same make good on the meticulously layered, languid atmospherics and also anime-inspired, metaphysical popular music promise of your last two full-lengths. "I"m a paris in a Sunbeam" to adjust a serene horn solo against a pulsating backbeat, mellow piano chords and also organ drone, drenched in a bathtub of aquatic reverb. "Sunship Balloons" is even better: over an insistently bouncy chopped-up north break and also sparkling electric guitars, Coyne provides up the first Flaming Lips R&B; slow-moving jam, spitting come-ons like, "Let"s do it once/ Let"s execute it twice/ Let"s do it alllll niiiiight until the sunrise comes also soon."
Following the stamin of the top triplet of originals, the middle section of the EP all-too-predictably is composed of filler. The remix that "Do you Realize?" is the many disappointing, given that it"s created by Jimmy Tamborello that Dntel and also Postal business fame. That takes the original vocal melody the the song and also centers it atop a jerky IDM synth win while laying a straightforwardly boring drum-n-bass break end the chorus. The first remix because that "Ego Tripping in ~ the entrances of Hell", created by Jason Bentley, would be ideal at house on Fight Test, stripping the introspective planetary popular music of the original and also recasting the track as a 1994 chillout track. The second "Ego Tripping" remix, through Blow-Up Aka Paolo Cilione and Claudio Camaione, fares only slightly better (though the would"ve had actually to have been a total catastrophe come not) v its pounding bass drum pulse, laconic rimshot clicks, and wandering tinny electronic pings and pangs giving method to irrepressibly encouraging electro-rhythms.
The EP closes with Wayne Coyne"s frank plea for civilization peace via protest-song-cum-Christmas-ditty, "A readjust at Christmas (Say the Isn"t So)". And also it"s no as bad as you might expect-- if anyone deserve to pull sentimental rubbish prefer this turn off in 2003 there is no sounding like a total jackass it"s Coyne, who quixotically asserts: "If I could stop time it would be because that a minute just about Christmas, when mankind discover its truest potential." Okay, it"s a bit miss out on America Pageant, however Coyne"s confident daydreams are clearly sincere, and dipped in fantastical accompaniment by his fellow bandmates; sparkling triangle and xylophone note drizzle down from over the confident ring the hefty piano chords, all hosted together by a cheeky drumbreak.
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Granted, the new material on Ego Tripping in ~ the entrances of Hell doesn"t exactly display the band"s sound evolving, however then, they"ve pretty much perfected it: "Assassination that the Sun" and "I"m a paris in the Sunbeam" in particular would have added another an extensive round come Yoshimi"s dreampop arsenal, and also the others, in spite of their slightly oddball lyrics, display the band in top kind musically. Put simply: any fan would be dazzling if their following record sounded favor this. Still, I"m not sure why the Lips feeling obligated to toss in substandard remixes (it"s definitely not walk to acquire them society play). Had they cut those indigenous the disc-- or checked out fit to include the Yoshimi originals obtainable only top top the newly released $20+ deluxe Edition & DVD version of the album-- that would have actually made a much more fluid listen. Yet with the record declining into anonymous techno halfway through, it feels less like a unified piece than one overpriced just-in-time-for-the-holidays moneymaker.